Tag Archives: The Cure

Gig Review – Under the Influence The Cure 20 Aug 12

On Monday, 20th of August, I had the pleasure of attending another Under the Influence night, at the Boogaloo. A great music night  where every performer plays two of their originals, as well as a cover from that month’s featured artist. This time, the chosen artist was The Cure.

The night was hosted by  Nat the Hammer, who was not only a charming host, but also the first performer who played a great acoustic set that included audience participation in a hilarious sing-along that put everyone in good spirits.

Next was Liz Arcane a songstress with beautiful old-fashioned jazzy  feel to her voice. One could easily picture her playing with a big band orchestra.

For a completely change of mood, we had the lively Maybe Myrtle Tyrtle next, who performed an energetic, spirited set with a tinge of rockabilly/skiffle to it.

Afterwards, we had Bob Constant & The Goodbye Horses who played an eclectic soulful set and were brilliant in their own quirky uniqueness.

The Lucky Face was next, performing some great rousing songs, as well as my favourite cover version of the night with his  rendition of Boys Don’t Cry.

Valerie & Her Weeks Of Wonder came next, lead by Catherine Gerbrands (who  also plays with Jowe Head and the Demi-Monde) played a bowed saw (yes you heard that right) that sounded as ethereal as her beautiful voice,which reminded me a bit of Kate Bush. The band played haunting originals that sounded like a cross between a Medieval English Ballad and a sea chanty.

James Saunders played next.  He was cheery, witty and funny and had the audience laughing with his story of how he’d gone to a car boot sale to buy an instrument to play on the night and ended up with a dinky electronic keyboard he found for one pound.  Somehow, he managed to make this cheesy instrument sound atmospheric, which goes to show, it’s not the instrument but the talent that goes behind it, that matters.

Light Falls Forward  were last, but definitely not least with gorgeous harmonies and melodies that were soothing and a perfect end to a brilliant night.

The great thing about Under the Influence, is that it gives every performer a chance to do a cover in their own style, transforming a well-known song into something different. As well as allowing the audience the opportunity to see acts they  may not normally get to see together. I highly recommended you go check it out if you have a chance. Scroll a bit further down to see when the next one happens.

P.S  – I was unable to find a Facebook page for James Saunders, but if anyone knows of one, please let me know, thank you.

If you enjoyed this review, please like my Facebook page here and be sure to click on the links on this review which will take you to the performers’ Facebook pages and of course, like their pages if you like what you hear.

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The next Under the Influence is coming up on Monday 17th of September, this time, the featured artist will be Kate Bush and you’ll have a chance to catch Liz Arcane and Valerie & Her Weeks Of Wonder amongst others.

London’s Lost Rock Venues – The Marquee Club

90 Wardour Street in 2012

They paved paradise and put up a parking lot
Big Yellow Taxi – Joni Mitchell

London is a city steeped in history,  in spite of that, it appears as if the city’s modern musical history is not worth preserving, since we’ve lost many legendary rock venues and with them, all the history they were a part of.

This lack of concern for the preservation of rock history  is something I find puzzling, since the UK is known for its many legendary musicians throughout the world. Considering the success of musicals such as We Will Rock You, currently playing at the Dominion Theatre, located only minutes away from Soho, one would think more would’ve been done to ensure London’s rock history was preserved for future generations.

A walk around Soho now, leaves one wishing for a time machine. 90 Wardour Street marks the location of the once legendary Marquee Club with a plaque telling visitors Keith Moon played there.

30 years of rock history reduced to this?

However, it wasn’t just The Who who played there,  but many legendary rock musicians.  Amongst them: The Rolling Stones, Pink Floyd, Led Zeppelin, Jimi Hendrix and David Bowie to name but a few.

The Marquee club opened its doors in April 1958 at 165 Oxford Street and soon became known for its jazz and rhythm & blues scene.  In March 1964, the club relocated to its legendary Soho location at Wardour Street, becoming the place for emerging bands to play in. The club’s popularity continued into the 70′s and 80′s with bands like the Clash, the Cure, the Damned, Joy Division, the Police and the Sex Pistols playing there.

A bit of trivia that I found personally very interesting:  Bauhaus played there  once, in November 1979, something I had no idea about as it is not mentioned in any of the books I’ve read about them.

The end of the Marquee came in 1988, after the facade of the building was found to have suffered structural damage, caused by the years of vibrations from the thousands of watts the venue had experienced. Considering the vast age of many buildings around London, I cannot help but wonder if something could have been done to save the venue from demolition. Sadly, this was not to be, and the club closed its doors on the 18th of July, 1988, but all was not lost.

The club relocated yet again, this time to 105-107 Charing Cross Road, and there, it remained until 1995.  Since then, the club has resurfaced in a variety of locations and guises, though none have lasted long.

Will the Marquee be reborn yet again?

There is a promising announcement on the official website announcing a new TV series entitled ‘Live From The Marquee’, meant to have gone into development this past March, but there are no further updates.

If anyone who happens to stumble upon this post, was lucky enough to visit the club at any of its locations, but particularly at its Wardour location, I’d love to hear your memories.  I never had the good fortune of visiting it myself.

If you would like to know more about the Marquee’s legendary history, be sure to visit the excellent archive website ran by Koldo Barroso here which has a lot more historic information, as well as a list of gigs from 1958 to 1988. To rock history buffs, such as myself, this is priceless information.  Sadly, due to time constraints, the website is no longer being updated, but don’t let that deter your from paying it a visit, it is worth a look.

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Stay tuned for a future post about the London Astoria, another lost venue that is no more, where I saw The Damned perform in 1998.

The Crow – A Haunting Dark Beauty

As you all know, I like to discuss what influences me as a writer.  I’ve talked about favourite novel HERE, but I have another book to discuss. This one is a graphic novel and features yet another dark troubled boy.

Eric Draven.

Before I continue, I must add the graphic novel only tells us his first name. It was the iconic film version of the novel, which I mentioned in my post here,  that gave us, the surname of Draven. Whether James O’Barr had a say in this, I do not know.

One day you are going to lose everything you have. Nothing will prepare you for that day.

So begins the introduction by John Bergin for The Crow, the haunting graphic novel by James O’Barr

It is a dark but powerful story about love, loss and revenge.

Eric and Shelly are madly in love, and plan to marry, but when their car breaks down, they are in the wrong place, at the wrong time, with devastating tragic consequences. Eric is shot dead, and Shelly is brutally raped, beaten and killed.

Eric is brought back from the dead to avenge his and Shelly’s death. James O’Barr’s drawings are a masterpiece. He shows us Eric’s pain, how his memories haunt him, and his deadly violent revenge against every single one of the thugs that are to blame for his sorrow. Eric is indiscriminate, nobody is spared, but you feel for him, and his agony at being unable to save the woman he loved and still loves so much.

In the end, in spite of the darkness and the tragic story, The Crow is a story about love, and how its power can transcend even death itself.

As John Bergin writes in the introduction to the novel:

James wrote a love letter called The Crow, the most beautiful love letter I have ever read.

I agree. It is a beautiful if tragic, love letter.

Another reason I adore the novel, is due to its strong rock influences.  O’Barr was deeply influenced by rock music when creating it. Specifically the music of Joy Division and The Cure, but rock musicians also played a part in the shaping of Eric’s looks. James saw Bauhaus perform, when he was stationed in Berlin, in 1981. I imagine he must have been struck by Peter Murphy’s features since Eric does bear a passing resemblance to him. However,  Eric’s movements are based on Iggy Pop. I find that rather fitting, as Peter Murphy himself, was influenced by Iggy as well.

Do you as a reader, or a writer, have a favourite novel that’s affected you deeply? If not, a film? or music?